Exploring the Dark Side of Human Nature in The Killers Essay -- Killer

Exploring the Dark Side of Human genius in The Killers Hemingways The Killers illustrates that unexplained violence is an integrated part of society. To ac companionship the cruelties of feeling is to come to terms with horrifying events that can not be denied. A person may lack the maturity to cope with ordinary support if they do not realize that evil can exist in any given society. The composition is told in the objective point-of-view. Hemingways approach to his written report is different he approaches it as a journalist approaches a word of honor story, from a focal point somewhere outside of his characters (Jaffe, 209). The author tells the story exclusively as an commentator. He does not tell the reader what the characters ar thinking, nor does he give the reader any insight to his personal feelings. As the story progresses, the reader learns that The Killers intend to live up to the label Hemingway befittingly gave them. The Killers, however, are not the ma in focus of the story. The title is symbolic only of the evil that the story revolves around, but the main focus of the story is Nicks denudation and disbelief of the true evil that lurks in everyday life. Nick struggles with the knowledge that he can not change Oles fate as he states, Dont you want to go and see the police?...Isnt there something I could do?...Maybe it was just a bluff...Couldnt you get out of town?...Couldnt you fix it in some way? (Hemingway, 251). He is not mentally prepared to engage the darker side of human nature. It is a story of discovery, in which the anonymity of the observer serves to compel the readers attention to the bare facts as they add up, one by one, to a pattern of demonstrated yet... ...rld, they will be over-burdened with the unfairness of everyday life. Works Cited Benson, Jackson J. Hemingway...The Writers Art of Self-Defense. Minneapolis University of Minnesota Press, 1969. Brooks, Cleanth and Robert Penn Warren. Understanding Ficti on. 3rd ed. immature Jersey Prentice-Hall, Inc., 1979. Hemingway, Ernest. The Killers. Great Tales of Terror and the Supernatural. New York The Modern Library, 1972. Jaffe, Adrian H. and Virgil Scott. Studies in the unforesightful Story. 5th ed. New York The Dryden Press, 1956. Moseley, Edwin M. Pseudonyms of Christ in the Modern Novel. New York University of Pittsburgh Press, 1962. Walcutt, Charles C. Mans changing Mask. Minneapolis University of Minnesota Press, 1966. West, Ray B. Jr. The Short Story in America. second ed. New York Books for Libraries Press, 1968.