An Analysis of Shakespeares Othello Essay -- Othello Essays

Think on thy sins (5.2.43) he says, They are loves I fend for to you (5.2.44) I respond. Ay, and for that thou diest (5.2.45). There is no pleading with my lord, his once loving filled eyes are now brimming with anger, and anguish. This whole colloquy has turned my mind into mush. How can he think that I would ever so love Cassio? Is it not plain that he, Othello, is my lord and the merely object of my middle? Does it not matter? I think it doesnt. Othellos whole organic structure is shaking (5.2.50) and his eyes are rolling (5.2.41), these signs do not figure well for my life. Worse yet, he has already had Cassio killed. Oh, banish me, my lord, kill me not (5.2.88) I beg, Down, Strumpet, he is undeterred (5.2.89). It is too late (5.2.95). I am not sure if I thought that, or if Othello said it. each way, it is too late. His strong, calloused fingers are clutching my throat, violently squeezing until all of the blood leaves my lungs. Spots- I see vagrant. Brightly colored ye llow, red and blue spots. The spots grow and take shape. Images and scenes from my life are passing before my eyes, and past it hits me. O, falsely, falsely murdered I cry (5.2.126). Emilia is here, Sweet Desdemona, O sweet mistress, speak she begs (5.2.131). I must tell her, A impeccant death I die (5.2.132). O, who hath done this deed? Emilia inquires (5.2.133). She has to discern the truth, Nobody, I myself. Farewell. Commend me to my kind lord. O, farewell (5.2.134-135). As the saying goes, hindsight is continuously twenty-twenty. For Desdemona, this is especially true. Desdemona was innocent and nave to a fault. Her determination to mend the family between Cassio and Othello, only served to nourish the seed of doubt that was planted in Othello... ... the light of heaven I know not how I lose him (4.2.152-153). Once Iago planted the seed, created the story and showed Othello that Cassio had the Handkerchief, Desdemona was rendered guilty. It did not matter how much Desde mona protested, or denied the story, Iagos report as an honest man superseded Desdemonas reputation as a woman who, according to Iago, so young could devolve out such seeming, to seel her fathers eyes up close as oak, he thought twas witchcraft (3.3.213-215). Desdemonas utmost line in the play shows that she believes she was responsible for her own death. In truth, however, the only sin Desdemona ever committed was bearing loves to the moor of Venice.Works CitedShakespeare, William. The catastrophe of Othello, Moor of Venice. The Norton Shakespeare. Ed. Julia Reidhead. New York .W. Norton & Company, Inc., 2008. 2119-2191. Print.